Exhibitions Update:Emigrant Letters, One Student’s Analysis of a Poem

Selections from Traffic Street Press Irish Poetry Series

Selections from Traffic Street Press Irish Poetry Series

The exhibit “Precious Poems in Precious Packaging,” recently on display in O’Neill Library, featured a striking and diverse array of Irish poems printed and bound by the Traffic Street Press. Selected from the John J. Burns Library’s collection of printed Irish materials, the beautifully bound poems reflect the remarkable craftsmanship and artistic flair of Traffic Street founder Paulette Myers-Rich. Intrigued by each poem’s visually captivating cover, I was compelled to engage with the printed text and explore the poems themselves. In doing so, I discovered Irish poems that were as nuanced and expressive as the boards that bound them.

Page from "Emigrant Suite" featuring poem, "Emigrant Letters"

Page from “Emigrant Suite” featuring poem, “Emigrant Letters”, PR6052.O35 E45 2002 Irish Folders.

Of particular interest to me was a poem by distinguished Irish poet Eavan Boland entitled “Emigrant Letters.” In the poem, Boland discusses the critical importance of language, printed words, and, indeed, letters to the Irish emigrant. The first stanza introduces the voice of the speaker, a traveler returning to her Irish home. While boarding her flight, she hears an Irish voice behind her that sounds as if “its owner must have been away for years” (Boland). To emphasize the linguistic, accentual gap between the speaker and the second voice, Boland uses contrasting metrical structures. The first stanza, describing the poem’s speaker—in all probability, Boland herself—is in perfect iambic pentameter. Note the characteristic syllabic pattern of “ta-tum” in the opening line: “that morning in Detroit at the airport” (Boland). When the poem’s focus shifts to the second voice in the following stanza, however, the meter undergoes a subtle change—retaining the iambic pentameter from the first and fourth lines but fragmenting in the middle two: “vowels half-sounds and syllables” (Boland). Here, the musical, iambic lilting of the speaker’s Irish accent is juxtaposed against the jumbled, Americanized dialect of the second voice—one that betrays only a trace of its Irish origin. Yet, as Boland writes, it was “a way of speaking you could tell a region by” (Boland). In this way, Boland establishes language’s power to simultaneously separate and unify the native and emigrant Irish communities. Spoken word becomes, for her, both a means of distinction and a marker of common heritage.

Everyday Life Series Bobby Hanvey Photographic Archives, John J. Burns Library

Everyday Life Series Bobby Hanvey Photographic Archives, John J. Burns Library, Boston College.

In the remaining stanzas, Boland continues to develop this theme through the use of natural imagery. Reflecting on the exchange of emigrant letters between the Irish homeland and New England, Boland describes, “How their readers stood in cold kitchens” and yet were greeted with images of “the stitchwort of late spring, the mosquitos, [and] the unheard of heat” (Boland). In this line, the fauna and seasonal swelter of New England leap off the page of each emigrant letter. Attempting to store their letters away in cupboards and cabinets, the Irish readers find that the “[drawers] never/…/close properly: informed as [they] are/ by those distant seasons” (Boland). Here, the letters provide an unbreakable link between the Irish homeland and the new American homestead. So great and vital is this connection that the drawer will not and cannot “close properly” (Boland); when the heat of an American summer meets the chill of an Irish kitchen, the wood of the drawer figuratively “warps” (Boland). Through the linguistic channel of emigrant letters, the lives and experiences of far-off loved ones achieve a tangible, physical presence in the lives of the readers—uniting Irish men and woman the world over.
Bursting with lavish imagery and metrical complexity, Boland’s Emigrant Letters represents only a fraction of the Traffic Street Press Irish Poetry series collection in the Boston College Libraries. See the books at the John J. Burns Library, witness the beauty and charm of these precious poems, and begin your own engagement with the text!

Robert Williams

Robert Williams

  • Robert Williams, Conservation Assistant in the John J. Burns Library

About John J. Burns Library of Rare Books and Special Collections at Boston College

The University’s special collections, including the University’s Archives, are housed in the Honorable John J. Burns Library, located in the Bapst Library Building, north entrance. Burns Library staff work with students and faculty to support learning and teaching at Boston College, offering access to unique primary sources through instruction sessions, exhibits, and programming. The Burns Library also serves the research needs of external scholars, hosting researchers from around the globe interested in using the collections. The Burns Library is home to more than 200,000 volumes and over 700 manuscript collections, including holdings of music, photographic materials, art and artifacts, and ephemera. Though its collections cover virtually the entire spectrum of human knowledge, the Burns Library has achieved international recognition in several specific areas of research, most notably: Irish studies; British Catholic authors; Jesuitica; Fine printing; Catholic liturgy and life in America, 1925-1975; Boston history; the Caribbean, especially Jamaica; Nursing; and Congressional archives.
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3 Responses to Exhibitions Update:Emigrant Letters, One Student’s Analysis of a Poem

  1. I prefer what you guys are up too. Such smart work and reporting! Keep up the excellent works guys Iâ??ve incorporated you guys to my blogroll. I think it will improve the value of my web site:)

  2. Mike says:

    This excellent analysis and presentation has assisted a project I’m presently working on – thank you.

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